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#X connect 80 5 47 0;
#X connect 80 6 60 0;
#X connect 80 7 69 0;
#X connect 82 0 81 0;
#X connect 83 0 80 0;
#X restore 68 46 pd adcs-and-dacs;
#N canvas 116 97 450 300 monitor-input 0;
#X obj 163 210 s~ \$0-tone-mon;
#X obj 163 184 line~;
#X obj 29 122 * 5;
#X obj 29 151 s \$0-tone-hip;
#X obj 29 91 r \$0-tone-hipass;
#X obj 163 53 r \$0-input-monitor-gain;
#X obj 163 128 dbtorms;
#X obj 163 156 pack f 50;
#X obj 163 87 clip 0 120;
#X msg 246 122 set \$1;
#X obj 246 153 s \$0-input-monitor-gain-set;
#X connect 1 0 0 0;
#X connect 2 0 3 0;
#X connect 4 0 2 0;
#X connect 5 0 8 0;
#X connect 6 0 7 0;
#X connect 7 0 1 0;
#X connect 8 0 6 0;
#X connect 8 0 9 0;
#X connect 9 0 10 0;
#X restore 68 72 pd monitor-input;
#N canvas 799 168 518 309 initialization 0;
#X obj 29 21 loadbang;
#X obj 235 22 r \$0-tone-all;
#X obj 370 22 r \$0-tone-none;
#X obj 29 88 list prepend \$0;
#X msg 29 123 \; pd dsp 1 \; \$1-tone-pitch 69 \; \$1-tone-radio 2 \; \$1-tone-radio-set set 2 \; \$1-tone-type 1 \; \$1-tone-type-set 1 \; \$1-tone-all 1 \; \$1-tone-hipass 1 \; \$1-tone-hipass-set set 1 \;;
#X obj 235 88 list prepend \$0;
#X obj 370 88 list prepend \$0;
#X msg 235 138 \; \$1-tone-ch1 1 \; \$1-tone-ch2 1 \; \$1-tone-ch3 1 \; \$1-tone-ch4 1 \; \$1-tone-ch5 1 \; \$1-tone-ch6 1 \; \$1-tone-ch7 1 \; \$1-tone-ch8 1;
#X msg 370 139 \; \$1-tone-ch1 0 \; \$1-tone-ch2 0 \; \$1-tone-ch3 0 \; \$1-tone-ch4 0 \; \$1-tone-ch5 0 \; \$1-tone-ch6 0 \; \$1-tone-ch7 0 \; \$1-tone-ch8 0;
#X obj 29 56 bng 19 250 50 0 empty empty empty 17 7 0 10 #dfdfdf #000000 #000000;
#X obj 235 56 bng 19 250 50 0 empty empty empty 17 7 0 10 #dfdfdf #000000 #000000;
#X obj 370 56 bng 19 250 50 0 empty empty empty 17 7 0 10 #dfdfdf #000000 #000000;
#X connect 0 0 9 0;
#X connect 1 0 10 0;
#X connect 2 0 11 0;
#X connect 3 0 4 0;
#X connect 5 0 7 0;
#X connect 6 0 8 0;
#X connect 9 0 3 0;
#X connect 10 0 5 0;
#X connect 11 0 6 0;
#X restore 68 19 pd initialization;
#N canvas 567 82 576 383 +tests 0;
#X floatatom 68 206 5 0 0 0 - - - 0;
#X obj 68 180 f;
#X obj 105 180 + 1;
#X obj 68 147 metro 1000;
#X obj 68 120 tgl 19 0 empty empty empty 20 8 0 8 #dfdfdf #000000 #000000 0 1;
#X text 48 71 see if Pd's time;
#X text 48 90 measurement works:;
#X obj 268 253 print~;
#X obj 241 219 bng 19 250 50 0 empty empty empty 0 -6 0 8 #dfdfdf #000000 #000000;
#X obj 268 218 *~ 1;
#X obj 332 111 tgl 19 0 empty empty empty 17 7 0 10 #dfdfdf #000000 #000000 0 1;
#X text 262 78 print out literal values from ADC 1;
#X text 353 109 optionally multiply by 1000;
#X floatatom 162 330 5 0 0 0 - - - 0;
#X obj 162 305 samplerate~;
#X text 252 305 get current sample rate;
#X obj 332 174 f 1;
#X obj 365 174 f 1000;
#X obj 332 144 select 0 1;
#X obj 162 278 bng 19 250 50 0 empty empty empty 0 -6 0 8 #dfdfdf #000000 #000000;
#X obj 268 144 adc~ 1;
#X text 100 27 This window has various weird debugging stuff...;
#X connect 1 0 2 0;
#X connect 1 0 0 0;
#X connect 2 0 1 1;
#X connect 3 0 1 0;
#X connect 4 0 3 0;
#X connect 8 0 7 0;
#X connect 9 0 7 0;
#X connect 10 0 18 0;
#X connect 14 0 13 0;
#X connect 16 0 9 1;
#X connect 17 0 9 1;
#X connect 18 0 16 0;
#X connect 18 1 17 0;
#X connect 19 0 14 0;
#X connect 20 0 9 0;
#X restore 94 164 pd +tests;
#X restore 580 420 pd guts;
#X text 154 389 ---- AUDIO OUTPUT ON/OFF ----;
#X text 495 165 |;
#X text 495 177 |;
#X text 151 165 |;
#X text 151 177 |;
#X text 495 189 |;
#X text 151 189 |;
#X text 495 417 |;
#X text 151 418 |;
#X text 495 405 |;
#X text 151 406 |;
#X text 495 393 |;
#X text 151 394 |;
#X obj 232 502 midiin;
#X text 69 585 note on;
#X text 180 561 control in;
#X floatatom 232 530 4 0 0 0 - - - 0;
#N canvas 587 106 553 387 note-out 0;
#X obj 81 111 inlet;
#X obj 271 311 noteout;
#X floatatom 141 172 4 0 0 0 - - - 0;
#X text 139 148 rate;
#X text 245 212 vel;
#X text 281 212 length;
#X obj 81 200 metro 500;
#X obj 192 271 makenote 64 250;
#X floatatom 243 236 4 0 0 0 - - - 0;
#X floatatom 294 236 4 0 0 0 - - - 0;
#X obj 81 160 tgl 17 0 empty empty empty 17 7 0 10 #dfdfdf #000000 #000000 0 1;
#X obj 81 230 expr random(40 \, 73);
#X connect 0 0 10 0;
#X connect 2 0 6 1;
#X connect 6 0 11 0;
#X connect 7 0 1 0;
#X connect 7 1 1 1;
#X connect 8 0 7 1;
#X connect 9 0 7 2;
#X connect 10 0 6 0;
#X connect 11 0 7 0;
#X restore 429 536 pd note-out;
#X text 353 502 Generate random note out messages, f 9;
#X text 453 509 ON/OFF;
#X obj 530 583 ctlout;
#X text 562 504 value;
#X text 595 557 channel;
#X floatatom 549 530 4 0 127 0 - - - 0;
#X floatatom 530 503 4 0 127 0 - - - 0;
#X floatatom 569 556 0 1 64 0 - - - 0;
#X text 580 531 control #;
#X text 352 583 control out messages -->;
#X text 91 10 Welcome to Pd ("Pure Data"). Pd is Free software under the BSD license (see LICENSE.txt in the distribution for details). For help \, please go to the "Help" menu., f 74;
#X text 176 157 1;
#X text 196 157 2;
#X text 259 157 3;
#X text 279 157 4;
#X text 341 157 5;
#X text 361 157 6;
#X text 423 157 7;
#X text 443 157 8;
#X text 495 201 |;
#X text 495 213 |;
#X text 495 225 |;
#X text 151 201 |;
#X text 151 213 |;
#X text 151 225 |;
#X text 495 237 |;
#X text 495 248 |;
#X text 495 260 |;
#X text 495 272 |;
#X text 495 284 |;
#X text 495 296 |;
#X text 495 308 |;
#X text 151 237 |;
#X text 151 248 |;
#X text 151 260 |;
#X text 151 272 |;
#X text 151 284 |;
#X text 151 296 |;
#X text 151 308 |;
#X text 495 320 |;
#X text 495 332 |;
#X text 495 344 |;
#X text 495 356 |;
#X text 495 368 |;
#X text 151 320 |;
#X text 151 332 |;
#X text 151 344 |;
#X text 151 356 |;
#X text 151 368 |;
#N canvas 369 146 925 501 instructions 0;
#X text 47 435 A toggle sets a highpass filter for the input channels with a cuttof frequency of 5Hz. This is useful to filter DC offsets., f 61;
#X text 508 23 Audio output:;
#X text 507 168 Channel assignment:;
#X text 47 372 You can click on the bigger number box below them to send the input channels to the output channels and monitor the input sound. The gain level is set in dB within the 0-120 range (over 100 you're adding up to 20dB in gain), f 61;
#X text 531 335 For this to work \, you need to set your input and output MIDI device(s) in Pd->Preferences->MIDI. Once you have it ready \, check the objects below to the left for incoming MIDI messages., f 50;
#X text 30 107 Output Monitor:;
#X text 46 15 In this patch we have 8 input and 8 output audio channels that depend on your audio settings. In order to set them \, go to Pd->Preferences->Audio \, where you can choose audio input and output devices plus the number of input and output channels (by default \, Pd loads only 2 input/output channels)., f 61;
#X text 46 216 The default test sound is a pure tone (a sine wave) \, you can change its pitch either in MIDI or Hertz (default is MIDI pitch 69 / 440 Hz). You can also change the test sound to white noite with the radio button., f 61;
#X text 26 298 Input Monitor:;
#X text 524 52 There are toggles for each channel that you can set on/off. The "ALL" bang button turns all output channels on (default) and the "NONE" button sets them all off. This affects both the OUTPUT MONITOR (if you set the test gain dB) as well as the INPUT MONITOR (if you set the input monitor gain)., f 51;
#X text 508 310 MIDI Input/Output:;
#X text 531 193 You can use radio buttons to the right to reassing input and output channels into different groups. By default input and output channels are assigned from 1 to 8 \, but you can test other groups of 8 channels (up to the range from 57 to 64). Hence \, you can test up to 64 input or output channels!, f 50;
#X text 46 130 To the top left you can test the output with a test sound by adjusting the "test gain" level in dB. Do this by setting a value from 0-100 in the number box or by setting preset levels in the radio button below: 80 dB \, 60 dB of Off (0 dB). A VU meter display the output level of the test sound., f 61;
#X text 47 322 The VU meters show us the audio input level of each input channel \, with number boxes below showing us the RMS dB level in the range from 0 to 100 dB as given by the [env~] object., f 61;
#X text 531 405 For testing MIDI output \, there's a subpatch that generates random MIDI-Note messages. Open it up to check it out. There's also an object that sends MICI CC messages., f 50;
#X restore 529 146 pd instructions;
#X floatatom 170 305 3 0 0 0 - \$0-ch1 \$0-ch1-set 0;
#X floatatom 193 305 3 0 0 0 - \$0-ch2 \$0-ch2-set 0;
#X floatatom 252 305 3 0 0 0 - \$0-ch3 \$0-ch3-set 0;
#X floatatom 275 305 3 0 0 0 - \$0-ch4 \$0-ch4-set 0;
#X floatatom 334 305 3 0 0 0 - \$0-ch5 \$0-ch5-set 0;
#X floatatom 357 305 3 0 0 0 - \$0-ch6 \$0-ch6-set 0;
#X floatatom 416 305 3 0 0 0 - \$0-ch7 \$0-ch7-set 0;
#X floatatom 439 305 3 0 0 0 - \$0-ch8 \$0-ch8-set 0;
#X text 236 341 <-- Input monitor gain (0-120 dB), f 17;
#X text 408 341 <-- Input highpass, f 9;
#X text 263 531 (raw);
#X text 24 162 TEST GAIN (dB);
#X text 52 245 80;
#X text 52 265 60;
#X obj 111 192 vu 22 120 \$0-test-vu empty -1 -10 0 12 #404040 #000000 0 0;
#X text 52 285 Off;
#X text 595 241 09-16;
#X text 595 260 17-24;
#X text 595 279 25-32;
#X text 595 297 33-40;
#X text 595 317 41-48;
#X text 595 336 49-56;
#X text 595 355 57-64;
#X text 91 61 This window is used to test audio and MIDI connections. You can go to "Preferences -> Edit Preferences" to configure "Audio" and "MIDI" settings to choose your Input/output devices. For more details on how this patch works \, see [pd instructions]., f 74;
#X text 29 190 0-100;
#X text 0 137 --- OUTPUT MONITOR ---;
#X text 495 441 |;
#X text 151 441 |;
#X text 341 467 --------------- MIDI OUTPUT TEST --------------;
#X text 13 467 ---------- MIDI INPUT MONITOR -----------;
#X text 155 137 ----------------- INPUT MONITOR -----------------;
#X text 53 376 Pure Tone;
#X text 36 328 TEST SOUND;
#X connect 1 0 2 0;
#X connect 1 1 2 1;
#X connect 2 0 3 0;
#X connect 2 1 0 0;
#X connect 3 0 24 0;
#X connect 5 0 25 0;
#X connect 6 0 5 0;
#X connect 6 1 4 0;
#X connect 9 0 72 0;
#X connect 68 0 71 0;
#X connect 78 0 75 1;
#X connect 79 0 75 0;
#X connect 80 0 75 2;
